Just because it’s coming up to autumn there’s no need to stop planting in the garden. The other evening I stuck in a couple of rows of the onion sets I got last weekend. They’ll overwinter well and hopefully give us some tasty onions come early summer next year.
They’re a piece of cake to sow, normal preparation of the ground as per and preferably there’s been no compost been put in the ground for a season or two (if there was, they’d make the ground hold moisture over the winter thus leaving the sets open to rotting which isn’t good). All you do is make a hole with a dibber (or the other end of a trowel) and carefully put the set in with the top just very slightly poking out (and the root end downward).
I also stuck some sticks and brambles on the top to stop our cats digging them up and also hopefully keep the birds and squirrels away. I plant mine closer together then the usual (about 4″ apart) so I can thin them out and use them as small onions when they’re ready.
Never mind what they say about “onions being cheap in the shops so don’t bother growing them” as home grown onions are a hundred times better than the ones in the supermarket. Grow your own as they’re cheap as chips to buy as sets!
The link below leads you to a very nice chilled mix with tracks from Jon Hopkins, Max Richter and Dustin O’Halloran plus many others. A mix to play while enjoying a cup of (builders) tea watching the sun going down over the garden after a heavy afternoon pulling out weeds. This is the sort of mix José Padilla would make for himself to play in the shed of his allotment in Ibiza.
Riot (Instrumental Original) – Damian Marley ft. Sean Paul
A slice of bass heaviness played on the David Rodigan 1Xtra show this week, a dub of a tune by Damian Marley featuring Sean Paul produced by Hard Work. A sort of reworking of a classic King Tubby’s tune done over in a 2013 style. Hard as a loaf of White Sunblest three weeks old. Rough!
Tom Moulton – The Sandpiper, Fire Island, New York, USA – 1974
I found this a few weeks ago on Soundcloud and I’ve been playing it ever since. A (Classic) Tom Moulton mix!
I really don’t do well with shop-bought Basil and Coriander plants and find the ones I sow myself do a lot better. It’s getting cold outside now so it’s windowsill sowing all the way!
After my £15 binge in Shannon’s, I sowed said herb seeds (from a cheap “herbs for the kitchen” combo pack off ebay for £2.50) in the newly bought plant pots. The seed labels are sticks that had kebabs on them in a former life and the covers to give them a good start are just cheap sarnie bags spread over and then knotted in the corner with wire ties. No expense spared and all that!
If you notice in the pic that I bought some pot saucers so the windowsill won’t get rotten and need several coats of paint like it did last year. Also in the background is our extensive Jamaican tray collection of two!
Oh and by the way my favourite kitchen cleaning product this week is “bar keepers friend.”
Alborosie – To Whom It May Concern – Greensleeves
Another great tune from Alborosie heard on this week’s David Rodigan show on BBC 1Xtra. Music to listen to while carrying 50 litres of Multi-purpose compost (with added John Innes), an assortment of terracotta pots and .5 kg of Radar onion sets back home from Shannon’s. I’ll now have to spend all afternoon relaxing in a Radox bath just like the adverts in the 80’s!
Two stills from the header tape of the K Foundation Burn a Million Quid film
Here’s a bonkers one! These two bits of celluloid were obtained after a screening of the infamous film (where the K Foundation, Bill Drummond and Jimmy Cauty burned a million pounds) organised by Club Disobey on 8th December 1995. Originally to be screened at a car park in Brick Lane, the venue was switched on the day to a very small basement in the Seven Stars pub nearby. It was murder getting downstairs as the place was well packed (400+ at least!) Club Disobey also mentioned on the flyer that the band would be selling stills of the film for a pound each after the screening.
The actual screening was abandoned half-way through but I do remember mithering their roadie Gimpo for a still after a few people tried to grab the film off the moving spool! In the end Gimpo cut a few stills up to give out using a combination of his teeth and an old key he had in his pocket. Madness! I managed to get one but in all honesty it could be from any film! A bonkers night!
“The film was due to be cut up and sold off for one pound per frame after the
Brick Lane showing, but this never happened. At the end of the show, when
everyone tried to grab frames, Gimpo protested “no, it’s not this film
that’s being cut up, it’s the other [two-spool] copy”, going on to point
out that he didn’t even want to do it, it was all Club Disobey’s idea.
The only frames members obtained were blank ones from the film header.”